Impact and Change

What's the best way to get the public on your side?

Over at the Next Stage, there's a video link to a news item on Global BC about the recent cuts to funding for Arts & Culture in BC's provincial budget. Check it out.

Three questions should immediately pop up for all artists concerned about BC after viewing this item:

1. Why did this story air?
2. How effective was it?
3. How do we get more stories like this on air?

After watching the story, you realize that the reason why Global took an interest is because Kim Catrall got on board and criticized the BC government for its excessive cuts to Arts & Culture.

Some would be annoyed that the only reason that this issue has made it to air on a major network was because a celebrity mentioned it. Not me. I think this is great news.

If you recall during the last Federal election, Arts & Culture became an issue (and made it to the national debates for the first time in history) only after prominient Québec artists criticized the PM for $45M in funding cuts, made months earlier. The PM responded, and the rest is history.

What local arts groups need to do now is try to figure out how to get more celebrities on board. With the 2010 Olympics only months away, and Vancouver (and BC) becoming increasingly in the spotlight, this may be just the opportunity we've been waiting for... I'll get back to this in a minute.

The other detail about the story that I noticed is that Global also spent extra time, energy and money to profile how local groups (like Carousel Theatre) will be impacted by the funding cuts. This is significant when you consider how much easier it would have been to broadcast a 15-second bit featuring Catrall's comments and then move on. The question is: why did they bother? Was it just good reporting? Does Global have a proclivity for focusing on the "human" angle? Or, is it something else entirely...

Well, maybe. Global TV (along with fellow broadcasters CBC, CTV and A-Channel) is embroiled in a major public relations battle with cable providers Rogers, Bell and Telus. At issue is whether the broadcasters should be able to charge the cable providers for access to their programming. You may have seen 'Save Local TV' commercials or clicked on their website. What's important to note about this conflict is that the broadcasters (especially Global, which needs the extra income most desperately) are furiously branding themselves as the champions of local television, and by extension, local communities.

I see the possibility for a mutually beneficial relationship...

What's happening in BC right now is an underground movement to build momentum and help get the public on the side of artists and cultural workers. As more events are planned and executed in support of culture -- like last week's Art Strike -- two publicity objectives need to pursued and met.

First, there needs to be celebrity voices, or the voices of prominent members of the community, on side and (if possible) on sight. This makes the event sexy to the broadcasters.

Second, any and all press releases, backgrounders, etc., need to start angling the story so that it's not just about the government cutting funding.
Our story needs to be about protecting local culture and local communities. Our story needs to mirror the messaging and the language that the broadcasters themselves are using to demonize the cable providers. Our story needs to give the broadcasters a reason to move the story up to near the top of the news, or a reason to do an "in-depth" feature.

See... whether we artists realize this or not, this issue is more important than just the state of culture in BC. This is about how important culture is to Canadian politicians. If this issue gets legs -- if national outrage can start to mimic the same momentum that was seen in the 2007 Federal election -- then maybe we can stop this brutal political habit of unfair cuts to the Arts to sustain an image of fiscal responsibility. I've written before that the only reason why Arts & Culture suffer the deepest budget cuts is because it appeals to a certain constituency. It only serves to create an image of "toughness" and "hard choices" but it really doesn't affect the bottom line.

The situation in BC is dire, but there is real opportunity to get some traction and support for this issue. There are the Olympics in only a few short months, and the eyes of the world will be upon us. There are major broadcasters that could could be sympathetic to our cause. There are prominent (read: famous) voices that could sing out on our behalf.

If politicians lose more capital by cutting the arts instead of defending them, then there's no further reason to see those cuts happen in the future. Simple as that.

Now go make some noise.

A little something cool; a little something inspiring...

Back from vacation, here are some neat links

Hey kids;
Sorry I haven't blogged in a while: was on a little vacation and just got back. I never know what the protocol is for vacation non-blogging ...

... erm... that's not entirely true. This is the appropriate post while on vacation. But I worry about announcing to the world that my pad is empty whenever I take off for a few days.

But maybe that's a pre-historic attitude for a blogger in this here 21st century, digital/information age. After all when you look at somebody like Jeff Jarvis, a news-media critic and social media analyst who recently decided to blog to the world about his prostate cancer, you kind of feel like a luddite when refusing to share about your little trip to NYC. (We had a great time BTW.)

I'm totally inspired by Jeff's transparency, moreover because I don't think I could do it if I were in his shoes. I hope he has a speedy recovery... and since he lives in America, I hope like hell he's got good insurance.

On to something a little lighter...

There's quite a bit of interest bubbling about James Cameron's newest movie since Titanic: Avatar. I hadn't heard very much about it, until my film buddy started excitingly telling me about over sushi last week. Then I come across a cool interview on the L.A. Times' Hero Complex blog. Here's part 1 and here's part 2.

My favourite portion of the whole interview is right off the top when it notes that Mr. Cameron is indeed a "Canadian" filmmaker.

... Except, when's the last time he did a Canadian film?

Budget Hangover

Why has the furor over arts funding fizzled?

It's been about a week since Budget ’09, and all is quiet on the Culture front. At least… it’s been quiet online.

There’s a smattering of righteous anger about the $25M set aside for Luminato’s Canada Prizes for the Arts and Creativity over at Praxis. But, mind you, at the time of this writing, only 9 comments have been posted. And The Art of the Business’s round-up of the budget’s art funding hasn’t generated a lot of discussion either.

In fact, comments have been down across the board. In the G&M’s story about arts funding, only 49 people have voiced their opinions. Which could be construed as a good number, but it’s nothing compared to the hundreds of comments the G&M was generating when the Liberal/NDP coalition was a near reality.

Blogs that I expected to hear from – Department of Culture, One Big Umbrella, The Wrecking Ball – have been mum on the Budget. And yes, I realize that I’m a big ol’ Mr. Pot pointing fingers at a bunch of Mr. Kettles: the first time this blog actually started to get some attention was when I was all about political activism.

So, what gives? What happened to our united front? Why are have we retreated into the dark corner like a pimply tween that snuck into a high school dance?

Did we get what we wanted after all?

---

Update: Oops, didn't mean to leave you out Starving Artist. Nice read and responses.

Dark disappointment?

No "Best Picture" for Dark Knight
not necessarily a bad thing

Listen, I can't complain about DK being beaten out by lesser films for the Best Picture nod, because I didn't see the other contenders. Mind you, A LOT of people missed out on the other contenders. This seems to follow the Oscar's latest trend of lauding films that nobody goes to.

Personally, I think this is probably the way to go: Point out the diamonds in the rough -- give the little guys a chance! (But then, I come from an independent/experimental theatre background... I know all about being the little guy in the big bad arts world.)

However, some people are REALLY disappointed by DK missing out on BP honours. I'm not. Why? Cause I think it'll be better for comic-inspired movies in the long run.

DK is the second highest grossing movie of all time. The only other movie to beat it was Titanic, which won the Oscar for Best Picture in 1997. (Whether or not it was deserved is another story altogether.) Thus, movie producers can conclude three things:

1) High quality comic book movies will make a helluva lotta money
2) Dark Knight could have made more money than it did (or will)
3) Simply copying Dark Knight is not the way to make the most money

Movie producers tend to take a good idea/concept and carbon copy it until it dies a horrible, horrible death. Look no further than the Batman movies of the 90's.

Maybe, however, just maybe, movie producers might realize that a blockbuster comic book movie that is capable of getting an Oscar nod is the way to go. The Dark Knight was the closest that they've ever got. But it was missing something... and, maybe, some more thought needs to be put into it before blindly copying and mass producing the shit out of the formula.

... Or maybe I'm giving Hollywood too much credit.

Anyway, let's keep it in perspective. I think The Dark Knight was a great movie, and the main reason for it's critical success lies in Heath Ledger's exceptional performance as Joker. He has been given Oscar recognition for that role (though whether he'll actually win is still very much in the air).

His recognition stands alone, as I think it should. His performance lifted the movie up. It's only right that the movie's accolades should not overshadow the performer.

Holiday updates and gifts

Introducing Adrian Ellis -- new composer for SuperHeroLive.com

I blogged several days ago about having a new development grant in for Superhero Live! Well, as you may imagine, developing SHL! while me and Mike are in Toronto and Shaun and John are still in Edmonton would be a bit tough. So, after much discussion, Shaunny and Johnny have released their music to be adapted into a new iteration (dependent on funding). Our new composer: the brilliant and multi-faceted Adrian Ellis.

A new iteration you say? Well, yes. We're adding singing. We're going into a full on Rock Opera, instead of "spoken-word-rock-opera." After the holidays, I'll go into more detail about the reasoning for our new direction for the show... but for now, I'd like to share a gift from Adrian to all of you.


Adrian has recorded a number of alternative Xmas songs everyone to listen. Click here to download or stream 5 excellent tunes that will put a smile on your face during the season. My personal favourite is "It's Christmas and I'm drunk."

Happy fourth day of Channukah and Merry Xmas Eve!

Fantastic Four -- Rise of the Silver Surfer

SPOILER ALERT. If you don't want to know anything about this movie before you see it, then stop reading right now.

Last night I picked up my fellow actor/comic-geek buddy, David Shelley, to go watch the next Fantastic Four flick. He had spent the entire day on a film gig and was pretty exhausted. I asked him if he was up for checking out the movie and he said he was ready to just relax and veg out in front of the big screen. I said to him, "Don't worry pal, tonight we're gonna enjoy some really cool special F/x and some really bad acting, and it will be a good night!"

Sometimes I'm so on the mark, I surprise myself.

FF 2 or "Rise of the Silver Surfer" is not a bad movie. It's not a great movie, by any stretch of the imagination, but it's not bad. I did not come close to feeling the crushing deflation and seething anger that I felt after Spider-man 3. In fact, I felt pretty good coming out of the theatre. If you have kids, I would recommend taking them to this movie whole-heartedly. If you're a long time fan of the comic, you'll probably think it's a horrific bastardization of the FF mythology. But, then again, you'd probably agree that it's ten times better than the first FF movie.

The highlight of this film is the Silver Surfer. Completely animated, and voiced by the always stellar Lawrence Fishburn, the Surfer is also the best actor on the screen. This is in part a jab at the cast of the FF family, but also this is in praise of the director, F/x team and Fishburn. The performance of the Surfer was simple, direct and empathetic. And he also had the best lines.

Writing: the first 25 minutes of this movie, and the final 10 had me wincing in my seat. Until the FF started interacting with the Surfer, this movie stumbled -- badly. Too many overused, predictable one-liners and too many cheap jokes. And the cast either didn't have the talent to save the dialogue or, maybe, they saw that the stinky writing couldn't be salvaged and didn't bother to try. Jessica Alba, while always nice to look at, was probably the worst offender. As Sue Storm (eventually Sue Richards), she had absolutely ZERO chemistry with Reed Richards. In fact all her chemistry seemed to be saved up for Johnny Storm, her brother; as David pointed out, "Every time they had a scene together, I thought they were going to kiss!"

Iaon Gruffudd (Reed) tried his best, but the writers saved the worst bits for him. And, like Jessica Alba, he's just not old enough to pull of this role. (If the producers were smart, they would have cast Tom Hanks and Meg Ryan as the patriarch/matriarch of the ultimate superhero family: they both have the years, chemistry and chops to truly bring these roles to life.) Chris Evans (Johnny) had a little too much nudge-nudge, wink-wink in his performance for my liking, and Michael Chiklis was okay, especially considering he had a giant rock suit to act through for most of the movie.

Now, as my partner-in-crime, Shaun Mckee says, "I refuse to judge a movie for what it isn't instead of what it is." I, on the other hand, have no such qualms: I think the FF franchise has done a terrible dis-service to the myth of the Thing. The tragedy of the Thing is that he is trapped inside a monster's body and he can't get out. FF2, like its predecessor, keeps having the Thing transform between human and monster, and there are no consequences to the character. It's like Ben Grimm doesn't really mind being the Thing. And I'm not talking about his sense of humor or his good will or continual horseplay with Johnny Storm: this stays true to the comic and is one of the Thing's most endearing traits. At the same time, the Thing is the most tragic figure of the the FF as well as the physical manifestation of Reed's guilt. Neither movie takes the time to explore these themes (or the first one did but in the most cursory, platonic way possible -- like a laughable second thought). I feel like both FF flicks are prime examples of how when a superhero franchise is seen as money-making vehicle instead of an opportunity to make art, the consequence ultimately hurts the superhero-film industry as a whole rather than helps it. FF is one of the longest running and most recognizable comic titles out there: don't you think it's deserving of some research or at least recognition of its artistic merit? Don't you think it's more deserving of some thought and affection when being adapted for the screen? Don't you think the characters have something more to offer besides hot actors in tight outfits doing kick-ass special F/x?

But, maybe I'm wrong: maybe what I want is much too heavy when you're designing a franchise for kids.

(Mind you -- take look at classics like The Secret of Nymh or The Dark Crystal from the 1980's as examples of childrens' films that are unafraid to expose a young audience to elements of darkness. A generation grew up on these films; hell, I watched both of these films in elementary school. While scary, they were also wonderful.)

Okay - enough bitchin'. I actually liked this movie, for the most part. The exposition and conclusion, while painful, were also mercifully short and the movie wastes little time getting to the action. And the action is fun: the Surfer/Torch chase (as scene in previews) is excellent, there is a natural disaster in London averted, a choice battle between the Surfer and the US military which is short and sweet -- and an even better battle between the FF and Doctor Doom (SPOILERS COMING NOW) after Doom takes control of the Surfer's board and powers. I actually really like the film's depiction of Galactus (ominous black nebula cloud) and, as my buddy David says, you can see the outline of the comic-based Galactus head/helmet within the nebula during the film's climax (I'll have to take his word for it; I totally missed it). The film fails to explain how the Surfer is able to destroy Galactus or how he finds out he is able to do it... or if he already knew then what his reasoning was for not destroying it until this point. There were a couple murmers of "what?" in the theatre during the climax. This also was confusing for a moment because you think that the Surfer has decided to sacrifice his home world/true-love-at-home to save the Earth -- but then you realize the Surfer is actually deciding to sacrifice himself for the sake of the Earth.

So it's all good. Overall I'd say 3 1/2 stars of 5.

It's fun ride!