We're All Fools

Harper might win a majority by cutting arts funding... and we artists are helping him do it.

Don't ask me how I feel about Harper's cuts and his outrageous comments. I'm as hurt and and angry as the rest of you, but there are more important issues here than my feelings. Or yours.

As a political maneuver, this was brilliant. (er... diabolical?)

Harper had to deal with a couple of small problems: he was being attacked by all the party leaders on a number of issues and he needed to consolidate his base support while, at the same time, attract swing voters at the centre of the political spectrum.

Regionally, he was working long before the writ was dropped with massive pre-election spending in order to warm up the electorate. Conservatism at its most basic level (I thought) is against taxpayer's money being spent like this, especially on frivolities like a UFO sighting commemoration.

As the economy gets worse and worse during this campaign, he looks like he's doing his due duty in managing the economy by cutting "frivolous" arts funding. He tells artists that we have to "stick to a budget."

Now these cuts were made a while ago, but they didn't receive a lot of press. But we as artists must challenge them. Because we're constantly under attack. And the arts need to be defended. And so Quebec artists, bless them, use the Gemeaux awards to shame Harper and the ideology behind these cuts. But unfortunately, outside of Quebec, this plays right into Harper's hands.

He calls us "fat cats" and says we live in an "ivory tower." He says that the furor over these cuts won't resonate with "ordinary Canadians," i.e. regular folk that work hard for their money, not like them bum artists living on the taxpayer's dime, the worst kind of corporate welfare. (Ick.)

All of a sudden the arts (for the first time that I can remember) have become a major election story. Let me tell you why, in my opinion, this is not a good thing for artists.

What has been accomplished here? Let's take a look:
1) Harper has consolidated his core support. Even those who may have felt alienated by his concession on Afghanistan, can rally around on Harper on this issue. These cuts are ideological in nature and appeal to many of the same voters who support life sentences for children.
2) Harper hasn't lost any support from the centre spectrum voters; in fact, he may have gained some traction. Think about it: we're an electorate that is having trouble understanding the Green Shift. Trying to explain how cuts to programs that send artists overseas are a bad thing... is damn hard. Unfortunately, Harper's comments about artists being "whiners" is ringing true (at least in English Canada).
3) The left still remains split. While artists have succeeded making a lot of noise about the value of art, we've only been denouncing Harper and we haven't thrown our combined weight behind a different candidate that will champion the arts. And we, just like the rest of Canada, remain divided into camps of ideological or strategic voters.
4) The other major parties have jumped on the band wagon. As passionate as I am about the arts, the pragmatist in me knows that it won't win an election. So while this is a major election story, it's not an election issue. But all the other party leaders think they smell blood in the water, and at this point, are desperate for any conservative weakness that might have some traction. This is not it.

The two major election questions are the economy and Harper. He has made the election about these issues, and the more the other leaders are sidetracked away from them, the more this plays in his favour. Especially if they continue to be unified in their pro-arts, anti-Harper response... if there's no distinction, then there's no mending of the left-of-centre split.

Now I realize that Harper needs Quebec to form a majority, and yes, cutting Quebec arts funding IS actually a major election issue... in Quebec. But in BC and especially in Ontario, it's the economy stupid.

So what do we do about it?

1) Keep making noise... but be strategic. This election is about Harper. He's coming to us in a fuzzy sweater and trying to woo the centre by claiming he makes common sense decisions for the good of Canada. But THIS decision is steeped in ideology. Same as his crime bill. This is a pattern: what journalists like to call a narrative. (He's also being mean about it - another narrative). This is the narrative that we must promote: if he follows far-right ideology on the arts and crime, then what does this mean for health care? Education? WHAT WOULD HARPER DO WITH A MAJORITY??? (You get the idea.)
2) We have to back one of the other parties. Any one. But we have to consolidate our vote. This is a tremendous opportunity: the other leaders are listening. What can/will they do to consolidate our vote?

E-mail this post to every artist you know. There's still time...

~talbot

Superhero LIVE! at the 2007 Edmonton International Fringe Theatre Festival.

Holy moley, it's been a long time since I've blogged!!!

I'm in Edmonton right now. I came to rehearse and produce my play Superhero LIVE! at the Edmonton Fringe this year. I arrived at midnight on August 1st, and was up early the next morning to do the Fringe Media Conference. We were one of only four groups (of 140) to perform at the conference. At that time I had less than two weeks to put this show together; now we are offically up and running (both the staged show and the radio series).

I guess I should mention what Superhero LIVE! is. It is a comic book spoken word rock opera. I wrote, produced and directed for the Fringe this year. Our executive producer is Happy Habor Comics: a nationally recognized, award-winning comic store in Edmonton. (They win awards because they sponsor stuff like this!) It's a two hour show performed against a original rock n roll score played by a live band; we're doing it at The Attic Bar & Lounge as a BYOV this year. I've been producing the play as a radio-play serial, online and free to download as Podcasts at http://www.superherolive.com. I booked a sponsorship deal with CJSR FM 88.5 to broadcast each episode of the serial everyday during the Fringe. Then on August 23, 2007, we're doing a live-to-air broadcast of the full-length play from the Fringe Festival. This has never been done at the Edmonton Fringe before.

Okay, so a big task. And like I said, we only had two weeks to pull it off. Luckily, most of the cast from the Podcasts had returned to do the live performance. Alison Boyce was new to our crew, but she has been a superstar and absolutely wonderful to work with.

We've been getting pretty good press coverage: we've been plugged on SONiC radio, City TV, the Edmonton Examiner, and of course CJSR.

The run is only beginning but all ready I have some wonderful memories of this experience. Most notably during the Fringe parade. Shaun's boss at K&K Deli let us use his truck and a generator so that Shaun and John could rock out on the flatbed. We were doing a spot for City TV so Shaun and John started playing: suddenly we were surrounded by a dozen dancing clowns from another show attracted by the kickin' tunes. It was amazing and totally surreal.

Only at the Fringe.

Now that we're open, I'll try to blog a bit more often. It was a real push to get this show up and running, and I didn't have a lot of time to devote to cyber-thoughts. Hopefully now I can be a little more visable during the rest of the festival.

See you in the beer tents???

Fantastic Four -- Rise of the Silver Surfer

SPOILER ALERT. If you don't want to know anything about this movie before you see it, then stop reading right now.

Last night I picked up my fellow actor/comic-geek buddy, David Shelley, to go watch the next Fantastic Four flick. He had spent the entire day on a film gig and was pretty exhausted. I asked him if he was up for checking out the movie and he said he was ready to just relax and veg out in front of the big screen. I said to him, "Don't worry pal, tonight we're gonna enjoy some really cool special F/x and some really bad acting, and it will be a good night!"

Sometimes I'm so on the mark, I surprise myself.

FF 2 or "Rise of the Silver Surfer" is not a bad movie. It's not a great movie, by any stretch of the imagination, but it's not bad. I did not come close to feeling the crushing deflation and seething anger that I felt after Spider-man 3. In fact, I felt pretty good coming out of the theatre. If you have kids, I would recommend taking them to this movie whole-heartedly. If you're a long time fan of the comic, you'll probably think it's a horrific bastardization of the FF mythology. But, then again, you'd probably agree that it's ten times better than the first FF movie.

The highlight of this film is the Silver Surfer. Completely animated, and voiced by the always stellar Lawrence Fishburn, the Surfer is also the best actor on the screen. This is in part a jab at the cast of the FF family, but also this is in praise of the director, F/x team and Fishburn. The performance of the Surfer was simple, direct and empathetic. And he also had the best lines.

Writing: the first 25 minutes of this movie, and the final 10 had me wincing in my seat. Until the FF started interacting with the Surfer, this movie stumbled -- badly. Too many overused, predictable one-liners and too many cheap jokes. And the cast either didn't have the talent to save the dialogue or, maybe, they saw that the stinky writing couldn't be salvaged and didn't bother to try. Jessica Alba, while always nice to look at, was probably the worst offender. As Sue Storm (eventually Sue Richards), she had absolutely ZERO chemistry with Reed Richards. In fact all her chemistry seemed to be saved up for Johnny Storm, her brother; as David pointed out, "Every time they had a scene together, I thought they were going to kiss!"

Iaon Gruffudd (Reed) tried his best, but the writers saved the worst bits for him. And, like Jessica Alba, he's just not old enough to pull of this role. (If the producers were smart, they would have cast Tom Hanks and Meg Ryan as the patriarch/matriarch of the ultimate superhero family: they both have the years, chemistry and chops to truly bring these roles to life.) Chris Evans (Johnny) had a little too much nudge-nudge, wink-wink in his performance for my liking, and Michael Chiklis was okay, especially considering he had a giant rock suit to act through for most of the movie.

Now, as my partner-in-crime, Shaun Mckee says, "I refuse to judge a movie for what it isn't instead of what it is." I, on the other hand, have no such qualms: I think the FF franchise has done a terrible dis-service to the myth of the Thing. The tragedy of the Thing is that he is trapped inside a monster's body and he can't get out. FF2, like its predecessor, keeps having the Thing transform between human and monster, and there are no consequences to the character. It's like Ben Grimm doesn't really mind being the Thing. And I'm not talking about his sense of humor or his good will or continual horseplay with Johnny Storm: this stays true to the comic and is one of the Thing's most endearing traits. At the same time, the Thing is the most tragic figure of the the FF as well as the physical manifestation of Reed's guilt. Neither movie takes the time to explore these themes (or the first one did but in the most cursory, platonic way possible -- like a laughable second thought). I feel like both FF flicks are prime examples of how when a superhero franchise is seen as money-making vehicle instead of an opportunity to make art, the consequence ultimately hurts the superhero-film industry as a whole rather than helps it. FF is one of the longest running and most recognizable comic titles out there: don't you think it's deserving of some research or at least recognition of its artistic merit? Don't you think it's more deserving of some thought and affection when being adapted for the screen? Don't you think the characters have something more to offer besides hot actors in tight outfits doing kick-ass special F/x?

But, maybe I'm wrong: maybe what I want is much too heavy when you're designing a franchise for kids.

(Mind you -- take look at classics like The Secret of Nymh or The Dark Crystal from the 1980's as examples of childrens' films that are unafraid to expose a young audience to elements of darkness. A generation grew up on these films; hell, I watched both of these films in elementary school. While scary, they were also wonderful.)

Okay - enough bitchin'. I actually liked this movie, for the most part. The exposition and conclusion, while painful, were also mercifully short and the movie wastes little time getting to the action. And the action is fun: the Surfer/Torch chase (as scene in previews) is excellent, there is a natural disaster in London averted, a choice battle between the Surfer and the US military which is short and sweet -- and an even better battle between the FF and Doctor Doom (SPOILERS COMING NOW) after Doom takes control of the Surfer's board and powers. I actually really like the film's depiction of Galactus (ominous black nebula cloud) and, as my buddy David says, you can see the outline of the comic-based Galactus head/helmet within the nebula during the film's climax (I'll have to take his word for it; I totally missed it). The film fails to explain how the Surfer is able to destroy Galactus or how he finds out he is able to do it... or if he already knew then what his reasoning was for not destroying it until this point. There were a couple murmers of "what?" in the theatre during the climax. This also was confusing for a moment because you think that the Surfer has decided to sacrifice his home world/true-love-at-home to save the Earth -- but then you realize the Surfer is actually deciding to sacrifice himself for the sake of the Earth.

So it's all good. Overall I'd say 3 1/2 stars of 5.

It's fun ride!