What this blog is about

It's an art blog.
Mostly about theatre... but also a healthy dose of pop culture, politics and shameless self-promotion.

Wednesday, September 23, 2009

Equity weighs in on BC

Arden R. Ryshpan

Ms. Ryshpan penned a letter


CAEA Executive Director Arden R. Ryshpan wrote a letter to BC's Premier Gordon Campbell about those stinking cuts to Arts & Culture. She writes:
"The budget update delivered by Minister Colin Hansenearlier this month makes no particular reference to arts and culture and certainly doesn’t explain why you see the need to cut funding by over 90%. This is a completely disproportionate share of the burden. When times are tough, we all recognize the need for restraint, but the cuts you propose are far more severe than mere fiscal prudence. Furthermore, Minister Hansen suggests that while it is expected that the B.C. economy will shrink by 2.9% in 2009, he is anticipating 1.9% growth in the next year (...) so it is unclear to us why such draconian cuts are necessary in our sector."
Indeed. Although I didn't realize that the government had acutally forcast growth in 2010. Brutal.

Now, even if the government's economic prediction pans out (which is not certain), it doesn't necessarily follow that the government's revenues will increase along with the economy. This is because corporations can wait up to five years to write off losses in their tax returns. This is why governments still must budget deficits even after the economy grows after a recession.

Nevertheless, the point is moot because these cuts were not about the money. The relatively small amount of money the government saves by virtually eliminating its Arts & Culture budget barely makes a dent in its projected deficits. It's just too little money to make a difference.

And, Ms. Ryshpan recognizes this:
"Every other government in Canada is looking at the Creative Economy as a way to revive dying industrial and resource-based economies, and the arts are a driving force in that new landscape. At a time when your government is investing tens of millions of dollars in other industries, the cuts in arts funding represents a tiny percentage of your overall expenditures and yet means so very much to our industry. (emphasis mine) I would ask that your government explain to the thousands and thousands of artists in the province why their jobs are not important but other people’s are."
More to the point: how can the BC government justify gutting an entire industry for the sake of political image?

You can read Ms. Ryshpan's letter in full here.

Monday, September 14, 2009

Impact and Change

What's the best way to get the public on your side?

Kim Catrall
Over at the Next Stage, there's a video link to a news item on Global BC about the recent cuts to funding for Arts & Culture in BC's provincial budget. Check it out.

Three questions should immediately pop up for all artists concerned about BC after viewing this item:
  1. Why did this story air?
  2. How effective was it?
  3. How do we get more stories like this on air?
After watching the story, you realize that the reason why Global took an interest is because Kim Catrall got on board and criticized the BC government for its excessive cuts to Arts & Culture.

Some would be annoyed that the only reason that this issue has made it to air on a major network was because a celebrity mentioned it. Not me. I think this is great news.

If you recall during the last Federal election, Arts & Culture became an issue (and made it to the national debates for the first time in history) only after prominient Québec artists criticized the PM for $45M in funding cuts, made months earlier. The PM responded, and the rest is history.

What local arts groups need to do now is try to figure out how to get more celebrities on board. With the 2010 Olympics only months away, and Vancouver (and BC) becoming increasingly in the spotlight, this may be just the opportunity we've been waiting for... I'll get back to this in a minute.

The other detail about the story that I noticed is that Global also spent extra time, energy and money to profile how local groups (like Carousel Theatre) will be impacted by the funding cuts. This is significant when you consider how much easier it would have been to broadcast a 15-second bit featuring Catrall's comments and then move on. The question is: why did they bother? Was it just good reporting? Does Global have a proclivity for focusing on the "human" angle? Or, is it something else entirely...

Well, maybe. Global TV (along with fellow broadcasters CBC, CTV and A-Channel) is embroiled in a major public relations battle with cable providers Rogers, Bell and Telus. At issue is whether the broadcasters should be able to charge the cable providers for access to their programming. You may have seen 'Save Local TV' commercials or clicked on their website. What's important to note about this conflict is that the broadcasters (especially Global, which needs the extra income most desperately) are furiously branding themselves as the champions of local television, and by extension, local communities.

I see the possibility for a mutually beneficial relationship...

What's happening in BC right now is an underground movement to build momentum and help get the public on the side of artists and cultural workers. As more events are planned and executed in support of culture -- like last week's Art Strike -- two publicity objectives need to pursued and met.

First, there needs to be celebrity voices, or the voices of prominent members of the community, on side and (if possible) on sight. This makes the event sexy to the broadcasters.

Second, any and all press releases, backgrounders, etc., need to start angling the story so that it's not just about the government cutting funding.
Our story needs to be about protecting local culture and local communities. Our story needs to mirror the messaging and the language that the broadcasters themselves are using to demonize the cable providers. Our story needs to give the broadcasters a reason to move the story up to near the top of the news, or a reason to do an "in-depth" feature.

See... whether we artists realize this or not, this issue is more important than just the state of culture in BC. This is about how important culture is to Canadian politicians. If this issue gets legs -- if national outrage can start to mimic the same momentum that was seen in the 2007 Federal election -- then maybe we can stop this brutal political habit of unfair cuts to the Arts to sustain an image of fiscal responsibility. I've written before that the only reason why Arts & Culture suffer the deepest budget cuts is because it appeals to a certain constituency. It only serves to create an image of "toughness" and "hard choices" but it really doesn't affect the bottom line.

The situation in BC is dire, but there is real opportunity to get some traction and support for this issue. There are the Olympics in only a few short months, and the eyes of the world will be upon us. There are major broadcasters that could could be sympathetic to our cause. There are prominent (read: famous) voices that could sing out on our behalf.

If politicians lose more capital by cutting the arts instead of defending them, then there's no further reason to see those cuts happen in the future. Simple as that.

Now go make some noise.

Tuesday, September 8, 2009

The War on Culture

Boom

Artists must find a way to avoid being collateral damage of deficit budgets

Praxis Theatre's recent post concerning the insane funding cuts to BC's Arts Sector got me thinking about the newest fad in Canadian politics: the war on culture.

Was it only last year that arts funding actually became an issue in a national election? And didn't the artists all rally together (under the lead of Québec) to make enough noise so that the Conservatives were once again hamstrung with another minority government? Did we not see the birth of the Department of Culture and the phoenix-like resurgence of The Wrecking Ball onto the national scene?

And yet, here we are again, not even a year later and arts funding has become a major casualty in a political marketing campaign.

Er... you mean "casualty due to a recession budget," don't you Aaron?

No, I don't. Look at the numbers. At the very worst (and there always are, and will continue to be, many different and contradictory numbers tossed around where arts funding is concerned), there will $17.25 million cut in core arts funding this year. In the face of $2.8 billion projected deficit, what's $17M?

It's nothing. It's a drop in the bucket. It doesn't make any financial sense. In other words, it's political.

Where other industries in BC are looking at an average of 7% cuts in funding, the arts sector is looking at reductions of 80-90%. And this is an industry that continually makes the most with the least in terms of dollars. Why are we always the punching bag?

Charles Campbell, of The Tyee, makes a compelling argument for fighting back. But, other than a couple of posts, all is quiet on the Western (blog) Front. Why are we content to continue to be the punching bag?

... Mind you, I don't follow a lot of BC based theatre blogs, so please point me in the right direction if you know of some hot-headed responses to BC's September Budget update. Thx.

The point is, however, until we can figure out why politicians find it more expedient to obliterate arts funding rather than defend it, we're going to continue to be casualties on this new war on culture.


UPDATE
Answering my own question, the Alliance for Arts and Culture seems pretty righteous to me.